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In This Issue 1995

Times They Are A’Changing

By Niall O’Dowd, Founding Publisher
July/August 1995

July 2, 1995 by Leave a Comment

In 1984 I was part of an Irish American delegation which sought a meeting with the U.S. State Department to discuss Northern Ireland. We were the usual suspects, ethnic newspaper publishers, community activists, longtime Irish American leaders, numbering about 30 in all. At the time I was publishing a small Irish newspaper in California and the trip to D.C. was a major … [Read more...] about Times They Are A’Changing

The Life of Riley

By Patricia Harty, Editor-in-Chief
July/August 1995

July 2, 1995 by Leave a Comment

Pat Riley's record says it all. Four National Basketball Association championships, two Coach of the Year awards, and the best overall winning percentage (756-299) of any coach in NBA history. In the 1980s, his Los Angeles Lakers won four NBA titles -- two of them back-to-back, a feat never achieved by any other team -- and made all the more sweet by the fact that they beat … [Read more...] about The Life of Riley

September October 1995

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July August 1995

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Sláinte! The Scottish Connection

By Edythe Preet

May/June 1995

June 29, 1995 by Leave a Comment

Scattered along Northern Ireland's rugged coast, forty thousand hexagonal columns trail from a stretch of cliffs to the sea. The unique rock formation is known worldwide as The Giant's Causeway. It resulted millions of years ago when a volcanic eruption spewed molten basalt into the air. As seawater slowly cooled the red hot lava, it formed into vertical clusters of mostly … [Read more...] about Sláinte! The Scottish Connection

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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