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1995

July August 1995

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September October 1995

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Sláinte! The Scottish Connection

By Edythe Preet

May/June 1995

June 29, 1995 by Leave a Comment

Scattered along Northern Ireland's rugged coast, forty thousand hexagonal columns trail from a stretch of cliffs to the sea. The unique rock formation is known worldwide as The Giant's Causeway. It resulted millions of years ago when a volcanic eruption spewed molten basalt into the air. As seawater slowly cooled the red hot lava, it formed into vertical clusters of mostly … [Read more...] about Sláinte! The Scottish Connection

Roots: Doherty or O’Doherty

By James G. Ryan

May/June 1995

June 24, 1995 by Leave a Comment

The Doherty or O'Doherty name has many variations, including (O) Dougherty, Daugherty, Docherty and Doharty. The name, derived from the Gaelic O'Dochartaigh, means (descended) from Dochartach. Dochartach was a descendant of the infamous "Niall of the Nine Hostages," who was king of Ireland in the fourth century. Tradition has it that Niall was responsible for bringing Saint … [Read more...] about Roots: Doherty or O’Doherty

MacLaverty Returns

By Colin Lacey

May/June 1995

June 22, 1995 by Leave a Comment

Colin Lacey interviews Bernard MacLaverty (photo right) the Belfast writer who penned Cal and Lamb and who has just published a book of short stories. "Some journalists in the North of Ireland are fond of asking me what I'll write about after the Troubles are over. But although peace is absolutely necessary -- and I wish them all success -- pain and suffering and human … [Read more...] about MacLaverty Returns

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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