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April May 2009 Issue

Sláinte!: The Tree of Life

By Edythe Preet, Contributor
April / May 2009

April 1, 2009 by Leave a Comment

Though I am at most times a mild-mannered pacifist, last week I had a meltdown. But I had a good reason. I was fighting to save a tree. Every winter since moving into my Fifties Bungalow in 2002, I have pleaded with the owner not to prune the 50-plus-year-old 60-foot-tall poplar tree on the front lawn. The last ‘pruning,’ just before I moved in, had almost killed the tree. It … [Read more...] about Sláinte!: The Tree of Life

Spread the Music!

By Ian Warpole, Contributor
April / May 2009

April 1, 2009 by Leave a Comment

Ian Worpole casts his eye over the latest CD offerings in the world of trad/folk music. Lots of great CDs this month, and by way of a preamble, I’ve been thinking lately about how the great fiddlers, accordion players and, well, all those instrumentalists who make up the sound that we know and love are often great teachers as well. This phenomenon, I believe, has become an … [Read more...] about Spread the Music!

Review of Books

By Tom Deignan, Contributor
April / May 2009

April 1, 2009 by Leave a Comment

Recommended Back in the mid-1990s, it seemed like everything Irish was cool. Bono was a global rock star, Riverdance was an international sensation, and Frank McCourt sold millions of books. Then, there was Seamus Heaney. The notion of a popular poet seemed almost quaint in the digital age. Yet when Heaney won the Nobel Prize for Literature in 1995, he became yet another Irish … [Read more...] about Review of Books

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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