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February March 2009 Issue

A Grandmother’s Gaze

By Kate Flanagan, Contributor
February / March 2009

February 1, 2009 by 11 Comments

When I was young I had the habit of staring off into space. We might be sitting at the kitchen table cutting string beans for dinner when I’d go into a trance-like state. My mother, Nora, always said that I reminded her of her mother, who used to do the same thing. I wondered what my grandmother may have been thinking as she stared into space or out the window at the sheep … [Read more...] about A Grandmother’s Gaze

Review of Books

By Irish America staff
February / March 2009

February 1, 2009 by Leave a Comment

Recommended The list of hefty novels which explore the terrible time of the Great Hunger continues to grow, and is all the more noteworthy because so many of the works are impressive. In the wake of older classics such as Liam O’Flaherty’s Famine, we’ve had Peter Quinn’s brilliant Banished Children of Eve and Kevin Baker’s Paradise Alley, both of which explored New York City … [Read more...] about Review of Books

Sláinte!: Runny Honey

By Edythe Preet, Contributor
February / March 2009

February 1, 2009 by Leave a Comment

One day last summer while inspecting the progress of my vegetable plants, I heard something that sounded like a giant cell phone on vibrator setting. Turning in the direction of the noise and peering under a tangled mass of grapevines, I found myself standing nose-to-buzz with a mass of bees that was considerably larger than a beachball. I freaked. Moving as smoothly as coming … [Read more...] about Sláinte!: Runny Honey

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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