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August September 2010 Issue

Sláinte!: Feasting with the Angels

By Edythe Preet, Contributor
August / September 2010

August 1, 2010 by Leave a Comment

Pop quiz: what’s the most popular Irish boy’s name? Odds are, the first one that came to mind was Patrick. Wrong. While Saint Patrick is Ireland’s patron, his name comes in at #18. Go ahead, try again. Did you say Sean? If so, you picked #2, and you get extra credit because Sean is also spelled Shane, Shawn, Shuan, Eoin, Ion, and Ian, all of which rank in the top twenty and … [Read more...] about Sláinte!: Feasting with the Angels

Music Reviews

By Tara Dougherty, Music Editor
August / September 2010

August 1, 2010 by Leave a Comment

Susan McKeown and Lorin Sklamberg Saints & Tzadiks In this self-titled album, Saints & Tzadiks, Susan McKeown and Lorin Sklamberg come together on a musical endeavor which takes traditional Irish language songs and Yiddish folk songs and bridges the gap between the two rather similar genres. The pair have worked together before, memorably with the Klezmatics, which … [Read more...] about Music Reviews

Review of Books

By Irish America staff
August / September 2010

August 1, 2010 by Leave a Comment

Recommended Deirdre Madden’s new novel Molly Fox’s Birthday is the story of a complicated friendship between three unique individuals: lauded Irish actor Molly Fox, who is away working in New York and London; Belfast-born art critic and television personality Andrew; and the unnamed narrator, a well-established female playwright who is struggling with a new work while staying … [Read more...] about Review of Books

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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