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December January 2017 Issue

Review of Books

By Irish America Staff
December / January 2017

December 2, 2016 by Leave a Comment

Books of Irish and Irish American interest. ℘℘℘ Dear Mr. Beckett: Letters from the Publisher By Barney Rosset, edited by Lois Oppenheim, and curated by Astrid Myers Rosset More than anything, Dear Mr. Beckett is a scrapbook – a loving collage of memorabilia ranging from letters to contracts to doodles – illustrating the relationship between publisher Barney Rosset and his … [Read more...] about Review of Books

Weekly Comment:
Winter Watch List

By Tom Deignan, Contributor
December / January 2017

December 2, 2016 by Leave a Comment

What's good on Netflix, Hulu, Amazon, and more of Irish and Irish American interest. ℘℘℘ The holiday season brings with it some much-needed time off for rest and relaxation. Sure, it’s important to catch up with family and friends, but it’s also a great opportunity to catch up on some of those Irish and Irish American movies and TV shows you never got a chance to watch. Here is … [Read more...] about Weekly Comment:
Winter Watch List

Paddy’s Papal Absence

By Ray Cavanaugh, Contributor
December / January 2017

December 2, 2016 by 1 Comment

It sure was big news when Pope Francis, the first Latin American pontiff, was chosen. And there has been talk about the prospect of having a black or Asian pope. But amid the widening papal radar, Ireland goes overlooked. Despite the nation’s overwhelming Catholic majority and hard-fought Catholic tradition, no Irishman has likely ever come close to the top position. In 2012 … [Read more...] about Paddy’s Papal Absence

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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