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Irish Online

Irish Army Archives to go Public

By Frank Shouldice, Contributor
February / March 2012

January 26, 2012 by 3 Comments

The Irish Armed Forces is about to make a huge volume of historical documents available to the public by putting them online for general access. Lieutenant General Sean McCann, Defense Forces’ Chief of Staff, confirmed that an ambitious project will be carried out with the National Archives of Ireland, placing 36,000 pages of material online relating to military matters for the … [Read more...] about Irish Army Archives to go Public

A Diary for the Tweople, By the Tweople

By Sheila Langan, Deputy Editor
October / November 2011

October 1, 2011 by Leave a Comment

The two Irishmen behind Diary of the Tweople There’s no denying the wonderfully wide (and sometimes weird) reach of Twitter – from messages from Tahrir Square during the Arab Spring, to live tweets of the Republican presidential debates, to to-the-minute updates concerning Kim Kardashian’s whereabouts. Since the social networking phenomenon was founded in 2006, it has … [Read more...] about A Diary for the Tweople, By the Tweople

The Seisiún Network

By Sheila Langan, Deputy Editor
August / September 2011

August 1, 2011 by Leave a Comment

Dubliner Tony Lawless may prove to be the Mark Zuckerberg of the traditional Irish music world. On April 28th, he launched TradConnect, a new website that aims to connect trad players all over the world, from cautious beginners to seasoned professionals. Lawless firmly believes that playing with other musicians is the most effective, not to mention the most enjoyable, way to … [Read more...] about The Seisiún Network

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September 8, 1994

A Roundabout Theater Company revival of Brian Friel’s famous 1964 play “Philadelphia Here I Come!” opens at the Criterion Center in New York. The production starred Robert Sean Leonard as Gareth O’Donnell as well as a supporting cast of notable Irish character actors, including Milo O’Shea, Pauline Flanagan, Leo Leyden and Jarlath Conroy. “This 1964 work established the Irish playwright as one of international stature,” the New York Times wrote in its review, “30 years later, it seems no less fresh and vital.”

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