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Montreal

Irish Landmark in Montreal in Danger

By Mary Gallagher, Assistant Editor
September / October 2018

September 1, 2018 by Leave a Comment

The preservation of Montreal’s rich history of Irish settlement is once again in peril. After plans to build a park and preserve the Black Rock Irish Famine memorial erected in 1859 were put on hold, another landmark of Montreal’s Irish heritage is in danger. The Université de Montréal unveiled plans to begin construction in January over the foundation of St. Bridget’s … [Read more...] about Irish Landmark in Montreal in Danger

The Black Stone
on Bridge Street

By Don Pidgeon, Contributor
January / February 1996

August 17, 2017 by Leave a Comment

Montreal's memorial to Irish Famine victims. ℘℘℘ In 1997, Irish people around the world will remember the 150th anniversary of the Famine that resulted in one million deaths and forced one million and a half to emigrate to Canada and the United States. The deplorable conditions these immigrants endured aboard ship resulted in a typhus epidemic that decimated many en route to a … [Read more...] about The Black Stone
on Bridge Street

The Point

By John Kernaghan, Contributor
December / January 2015

December 11, 2014 by 5 Comments

A visit to the McCord Museum helps uncover the history of two of Montreal’s historic Irish neighborhoods.  In this tale of two Irish neighborhoods, leafy and modest Point St. Charles is in some ways unchanged from its heyday as a gritty Celtic enclave while just across the Lachine Canal, Griffintown bristles with cranes erecting a phalanx of condos from the ashes of factories … [Read more...] about The Point

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September 8, 1994

A Roundabout Theater Company revival of Brian Friel’s famous 1964 play “Philadelphia Here I Come!” opens at the Criterion Center in New York. The production starred Robert Sean Leonard as Gareth O’Donnell as well as a supporting cast of notable Irish character actors, including Milo O’Shea, Pauline Flanagan, Leo Leyden and Jarlath Conroy. “This 1964 work established the Irish playwright as one of international stature,” the New York Times wrote in its review, “30 years later, it seems no less fresh and vital.”

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