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1994

The Long Shadow

By Patricia Harty, Editor-in-Chief
January/February 1994

January 7, 1994 by Leave a Comment

Tim Pat Coogan, author of The IRA: A History, talks to Patricia Harty. "I really think the Irish-Americans are crucial to this. I'm historian enough to know there would be no independent Irish state without Irish-American pressure in the 1920s. The cabinet records are there and the ambassador's records are there to show how much Irish Americans were involved." However, "one … [Read more...] about The Long Shadow

What Price Peace?

By Niall O’Dowd, Founding Publisher
January/February 1994

January 7, 1994 by Leave a Comment

As British Prime Minister John Major and Taoiseach Albert Reynolds announced their historic "Joint Declaration for Peace" in Northern Ireland on December 15, the vital question was whether the new document would be sufficient to launch a real peace process or whether it would end up as just another failed initiative. An historic opportunity for peace in our time or just … [Read more...] about What Price Peace?

The First Word: Our Own Flesh and Blood

By Patricia Harty, Editor-in-Chief
January/February 1994

January 7, 1994 by Leave a Comment

Wee Annie's uncle is dead. You might have read about him. He got a line in the New York Times. He was the 72-year old pensioner shot in the Loyalist backlash that followed the Shankill fish shop bombing. Wee Annie's uncle lived alone. They found him in the living room of his small house -- bound and gagged and shot in the head. It is thought that the UDA were trying to get him … [Read more...] about The First Word: Our Own Flesh and Blood

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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