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April May 2018 Issue

Roots: The O’Hara Clan

By Mary Gallagher, Editorial Assistant
April / May 2018

February 28, 2018 by 51 Comments

The name O’Hara has held a distinguished place in Ireland for centuries. The current spelling is an anglicized pronunciation of the original Irish Ó hEaghra, meaning “descended from Eaghra” (rhymes with “Tara”). Bearers of the name are believed to be the generational offspring of 10th century Irish chief Eaghra (d. 976), who governed the areas around today’s Leyny, County … [Read more...] about Roots: The O’Hara Clan

Sláinte! Calling All Fools, Fairies, and Leprechauns

By Edythe Preet, Columnist
April / May 2018

February 28, 2018 by 1 Comment

The history of April Fools’ Day and tricksters of folk mythology.  ℘℘℘ April is full of surprises. When spring sunshine starts warming the earth, night can fall on a brown leafless landscape and day break to green grass and golden flowers splashing the garden with color. A balmy day can suddenly turn cold, gray, and rainy. As the weather capriciously switches from sunshine to … [Read more...] about Sláinte! Calling All Fools, Fairies, and Leprechauns

Last Word: Leadership Lessons of Grandma Bridget

By Martin Dempsey
April / May 2018

February 28, 2018 by Leave a Comment

Retired General Martin Dempsey on the lessons he learned from his Irish grandmother. ℘℘℘ Bridget Jennings was my diminutive, Irish immigrant grandmother. In 1922, as a 16-year-old, she left her parents and siblings in County Mayo and came to the United States. At 21 she married John Devenney of County Donegal, and at 41 she was widowed. I was her first grandchild. Both my … [Read more...] about Last Word: Leadership Lessons of Grandma Bridget

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March 22, 1848

The artist Sarah Purser was born in Dun Laoghaire, County Dublin on this day in 1848. She was raised in Dungarvan, County Waterford and educated in Switzerland. She went on to study at the Metropolitan School of Art in Dublin, and in Paris at the Académie Julian. Working primarily as a portrait artist, she also became associated with the stained glass movement. Purser opened a stained glass workshop in 1903, and some of her work was commissioned from as far away as New York City. Successful as she was in the arts, her wealth was accumulated primarily through investments. In 1923, she became the first woman to be made a member of the Royal Hibernian Academy.

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