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Internet

Ireland Celebrates 25 Years Online

By Olivia O’Mahony, Editorial Assistant
August / September 2016

August 10, 2016 by Leave a Comment

As of June 17th, Ireland has officially been connected to the internet for 25 years. On the same day in 1991, Trinity College Dublin became the first organization in the country to connect to the world wide web. The link was shared with campus-based start-up company IEunet, run by entrepreneurs Cormac Callanan and Michael Nowlan. “From that day you could actually, physically … [Read more...] about Ireland Celebrates 25 Years Online

Hibernia: The Cyberanarchists

By Tom Deignan, Columnist
October / November 2000

October 1, 2000 by Leave a Comment

When the heavy metal band Metallica hauled Internet service provider Napster into court, because fans were getting new Metallica tunes through the site for free, a new battle line was drawn in cyberspace. As the creator of Freenet, a program designed to send free information to all corners of the globe, Irish native Ian Clarke is on the front lines of this high-tech – and he's … [Read more...] about Hibernia: The Cyberanarchists

Hibernia: Meanwhile
in Silicon Valley…

By Irish America Staff
October / November 2000

October 1, 2000 by Leave a Comment

"Whizkid," "genius," and "scourge of the music industry" are just a few of the names thrown at Shawn Fanning, 19. Fanning is the brain behind Napster.com, the MP3 exchange website that sent the recording industry into an uproar. Recently the courts have stepped in to quiet the din. On July 26, the United States District Court of San Francisco ordered that the Napster online … [Read more...] about Hibernia: Meanwhile
in Silicon Valley…

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September 8, 1994

A Roundabout Theater Company revival of Brian Friel’s famous 1964 play “Philadelphia Here I Come!” opens at the Criterion Center in New York. The production starred Robert Sean Leonard as Gareth O’Donnell as well as a supporting cast of notable Irish character actors, including Milo O’Shea, Pauline Flanagan, Leo Leyden and Jarlath Conroy. “This 1964 work established the Irish playwright as one of international stature,” the New York Times wrote in its review, “30 years later, it seems no less fresh and vital.”

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