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Nancy Pelosi

News Roundup May 21, 2022

By Róisín Chapman
IA Newsletter May 21, 2022

May 20, 2022 by Leave a Comment

U.S. Officials Seek to Protect Good Friday Agreement House Ways and Means Committee Chairman Richard E. Neal will lead a bipartisan U.S. Congressional delegation to Ireland this weekend. The delegates will participate in bilateral meetings focused on strengthening transatlantic trade relations, with additional visits to Brussels and Britain to deepen US-EU and US-UK strategic … [Read more...] about News Roundup May 21, 2022

News Roundup March 19, 2022

By Róisín Chapman
IA Newsletter March 19, 2022

March 18, 2022 by Leave a Comment

Last NYC St. Patrick's Parade for Pipe Major Joe Brady This week Ireland and various cities across the world celebrated St. Patrick’s Day. In New York City, crowds of people in shamrock hats and tri-color flags flanked the streets as the city’s St. Patrick’s parade returned after a two-year hiatus. And leading the parade, as always, was Pipe Major Joe Brady. The day was … [Read more...] about News Roundup March 19, 2022

Irish Power, U.S. Politics U.S. Rep. Richie Neal Talks to Niall O’Dowd

By Niall O’Dowd
May / June 2019

May 1, 2019 by 2 Comments

Richie Neal’s extraordinary journey from a working-class neighborhood in Springfield, Massachusetts, to Washington, D.C., and one of the most powerful jobs in American politics as the chairman of the Ways & Means Committee. On November 7, 1960, Mary Garvey Neal, who had roots in Ventry, County Kerry, took her son to the Springfield, Massachusetts, town hall. It was very … [Read more...] about Irish Power, U.S. Politics U.S. Rep. Richie Neal Talks to Niall O’Dowd

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September 8, 1994

A Roundabout Theater Company revival of Brian Friel’s famous 1964 play “Philadelphia Here I Come!” opens at the Criterion Center in New York. The production starred Robert Sean Leonard as Gareth O’Donnell as well as a supporting cast of notable Irish character actors, including Milo O’Shea, Pauline Flanagan, Leo Leyden and Jarlath Conroy. “This 1964 work established the Irish playwright as one of international stature,” the New York Times wrote in its review, “30 years later, it seems no less fresh and vital.”

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